The room at NYC Alley (by coincidence my new co-working space for the next month) was filled with Seth Fans who did an individual pitch of … Dr Rock was a hard act to follow. I thought this was hilarious until Bob Geldof held up one of the posters on stage at a concert and he said, “I’ve met this guy, he’s fine. I mean that is what I was doing, so I just wanted to do the best job possible. Phil O’Brien spent his early years on a remote cattle Station 250 km’s southwest of Alice Springs, in the red heart of Australia. Broadcasting began as a day gig really. I think we might have had a camera down there as well as the 6.30 news. It was a way to pay the rent. This version of the show featured Karyn Hay hosting, Brent Hansen producing, Peter Blake overseeing, and direction duties shared among the likes of Simon Morris, Dave Brinkman, and Irene Gardiner. I was out of there. Phillip O'Brien in the US . What so ever. Phil O’Brien at Radio Windy in 1980, at the time of his Radio With Pictures hosting. We might have played it once and then it went to Ready To Roll. But in 1977, four years prior to MTV, the now popular RadPix had been allocated a small budget with producer Alan Thurston (died 2008) and its first presenter. The motivation was really to help a little bit and get some of these bands sorted so that there was a quality-sounding recording which could then be used as the basis of a clip. Phil O'Brien - Founder of Empics Sports Agency. Later, the program expanded on the genres played, and gradually the "alternative" music itself became in a sense "more mainstream". Phil O’Brien at Radio Windy in 1980, at the time of his Radio With Pictures hosting. Radio stations might even play local content. I think he would sort of filter out anything that would be regarded as dross. Philip O'Brien Directory in the US. by Phil O'Brien March 2, 2021 March 2, 2021. Someone said to me recently they’ll never forget the line, “Here’s one for all the panel beaters out there.” We didn’t really veer into the pop area very much. 94-96 Review of 'A State of Play: British Politics on Screen, Stage and Page' by Steven Fielding (Bloomsbury, 2014) more Phil O’Brien: No, I don’t look back at it fondly, I just keep trying to forget it. Peter Blake: Phil by day was a commercial radio DJ and I think this didn’t auger well with some of the hardcore RWP viewers. Other notable TVNZ pop clip shows have included Ready To Roll (1976-1990s) and SHAZAM! He jokes that his job was to “write the ums and ahs into Molly's script”. Yes, there were success stories and some not so. And Peter [Blake] to his credit would always keep an eye on whether the thing was shouting or not because after a few months of watching these clips you sort of lose all sense of objectivity about it completely. Trends did evolve and we would try to appease a number of factions as they emerged. But it was more than that; it was my interest as well, since watching NZ television music shows as a kid such as C’mon, Happen Inn and early music video fillers used when general programming ran under time. It stems from when I was nine or 10 years old sitting on the beach listening to a transistor radio on a Saturday afternoon, and thinking, that person’s got the best job in the world. It was made more difficult by the fact he followed close on … Phil O’Brien! So, in their infinite wisdom, and needing to use Avalon’s studios, the new TVNZ bosses banish Radio With Pictures to Lower Hutt. The impasse was finally resolved, but in the meantime RadPix had been taken off air. The minute that contract finished I was gone. [3] "RadPix" aired as a weekly, late night series featuring adult and alternative music. One example here would be Wellington guitar three-piece punk band The Steroids, a band who, after I popped some synth on their track, got me playing live with them a couple of times. Car Crash Set: Simon Mark-Brown, Trevor Reekie, Ryan Monga, Nigel Russell, Dave Bulog – Radio With Pictures show, Quays, 1984. To anyone who’d listen I’d say, “I don’t have any choice, I’m just a talking head, that’s all it is, they give me $80 a week …” Thank god there was no social media around, I would have killed myself. Barry Jenkin: We rated our tails off, we did. One of the reasons I left Australia was because I thought, I’m not really enjoying this being on television business. Contact Phil for rates and availability. They would come in on separate tapes and things like that, we would compile them onto a viewing thing. Phil has 2 jobs listed on their profile. ¶ Radio stations typically avoided playing New Zealand music, and one of the reasons they cited was that the audio quality of New Zealand music was inferior to overseas material. When I joined there was Peter who was a producer, and there were two directors: me and Dave Brinkman. Karyn Hay: Well I don’t really want to be too negative about Phil, you know, and he laughs when I tell this story but it’s not something you want to keep hammering home. Given Phil was departing, Tony organised the auditions and incorporated me in the process where it was unanimous that Karyn be offered the position. : Neil Young: "Like a Hurricane".) I wanted the money to be able to use somewhere else and I contracted a guy called Malcolm Bennet to make the set. The top state of residence is New York, followed by Florida. Others included The Mockers, Phil Judd and Dunedin group The Knobz. The result was, ultimately, MTV.[4][5]. Photo of RADIOHEAD and Ed O'BRIEN, Ed O'Brien performing live onstage Ed O'Brien of Radiohead performs on stage at MEN Arena on October 6, 2012 in Manchester, United Kingdom. The first clip to play was Steve Miller's "Fly Like an Eagle" and the first show also featured New Zealand band Red Hot Peppers (not to be confused with the Red Hot Chili Peppers). I did go to one elocution lesson. Karyn Hay (on deciding which clip for which show): That was Peter Blake’s job really and he had an inherent feel for that, he knew what would work on RTR and what would work on RWP. It turned me off the industry so much, that I went to work for DSIR, doing marketing and stuff, which got me a trip to Antarctica, which was much more fun than doing Radio With Pictures. We did have budget constraints, limited technology and time to devote to clips, but I do believe that this sowed the seeds for more awareness and confidence in original Kiwi music. The band responded by demonstrating outside of Avalon television complex. Their music knowledge and passion was second to none and they could do things in Avalon with its awesome facilities that we could only dream of in Auckland. In 1986, a dispute between TVNZ and RIANZ (The Recording Industry Association of NZ) contributed to the demise of RadPix, as RIANZ moved to initiate a "pay to play" rule for pop clips. 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